After 22 years, a new production by Robert Wilson at the Thalia Theater Hamburg, which was home to earlier successes such as Hamletmachine (1986) or The Black Rider (1990).
For more information and tickets click here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German.
Click here for tickets and more information.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German.
Click here for tickets and more information.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with Korean surtitles.
For more information and tickets, please click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with Korean surtitles.
For more information and tickets, please click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in Lithuanian with English surtitles.
Click here for tickets and more information.
After 22 years, a new production by Robert Wilson at the Thalia Theater Hamburg, which was home to earlier successes such as Hamletmachine (1986) or The Black Rider (1990).
For more information and tickets click here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in Lithuanian with English surtitles.
Click here for tickets and more information.
After 22 years, a new production by Robert Wilson at the Thalia Theater Hamburg, which was home to earlier successes such as Hamletmachine (1986) or The Black Rider (1990).
For more information and tickets click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.
For more information and tickets, please click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After its successful run at the Municipal Theater of Piraeus in 2023, Robert Wilson’s production starring acclaimed Greek actresses Reni Pittaki, Karofillia Karabeti and Loukia Michalopoulou, newly entitled Three Women, is receiving limited runs in Athens and Thessaloniki.
For more information and tickets, click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Sociale in Trento / Italy.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Sociale in Trento / Italy.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Sociale in Trento / Italy.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Sociale in Trento / Italy.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Stabile del Friuli Venezia Giulia in Trieste / Italy.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Stabile del Friuli Venezia Giulia in Trieste / Italy.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Stabile del Friuli Venezia Giulia in Trieste / Italy.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Stabile del Friuli Venezia Giulia in Trieste / Italy.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
After its runs in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro São Luiz in Lisbon / Portugal.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its runs in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro São Luiz in Lisbon / Portugal.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After 22 years, a new production by Robert Wilson at the Thalia Theater Hamburg, which was home to earlier successes such as Hamletmachine (1986) or The Black Rider (1990).
For more information and tickets click here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Ubu is inspired by the text Ubu Roi, written by Alfred Jarry in 1896, a critique of war and totalitarianism with a grotesque, dictatorial main character that is as relevant today as when it was created, and also by Joan Miró’s creations around the universe of that play. Robert Wilson and Imma Prieto created a new work based on Jarry and Miró, with a new interpretation that is nourished by current socio-political conflicts.
For more information and tickets, click here.
Ubu is inspired by the text Ubu Roi, written by Alfred Jarry in 1896, a critique of war and totalitarianism with a grotesque, dictatorial main character that is as relevant today as when it was created, and also by Joan Miró’s creations around the universe of that play. Robert Wilson and Imma Prieto created a new work based on Jarry and Miró, with a new interpretation that is nourished by current socio-political conflicts.
For more information and tickets, click here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Ubu is inspired by the text Ubu Roi, written by Alfred Jarry in 1896, a critique of war and totalitarianism with a grotesque, dictatorial main character that is as relevant today as when it was created, and also by Joan Miró’s creations around the universe of that play. Robert Wilson and Imma Prieto created a new work based on Jarry and Miró, with a new interpretation that is nourished by current socio-political conflicts.
For more information and tickets, click here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German.
Click here for tickets and more information.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German.
Click here for tickets and more information.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.
For more information and tickets, please click here.
The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.
For more information and tickets, please click here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.